A ten-song test pressing was made, though no new cuts were included, with "Satellite" and "Submission" being added as bonus tracks. At the same time, the group resumed work with Thomas and Price. Jones' playing was so satisfactory that Thomas had him play the bass tracks for all the remaining songs recorded during the sessions. Competition for the band in the United States narrowed down to Warner Bros. When payment was not received, he declined to attend.
Nevertheless, the Barclay version was already available in the UK at the time Virgin had its version ready. With advance orders of , copies, Never Mind the Bollocks debuted at number one on the UK Album Charts the week after its release. At the same time, the group resumed work with Thomas and Price. London police visited the city's Virgin record store branches and told them they faced prosecution for indecency as stipulated by the Indecent Advertisements Act if they continued to display posters of the album cover in their windows. Two weeks later, the label rush-released "God Save the Queen" as a single. New bassist Sid Vicious played on the track " Bodies ",  but his performing skills were not considered fit to record the full album, so the band asked manager Malcolm McLaren to convince previous bassist Glen Matlock to perform the instrument for the sessions. A ten-song test pressing was made, though no new cuts were included, with "Satellite" and "Submission" being added as bonus tracks. McLaren still hoped to sign with a major label, and posited issuing a one-off single with Virgin to increase the band's appeal to the larger record companies. The displays were either toned down or removed. Jones' playing was so satisfactory that Thomas had him play the bass tracks for all the remaining songs recorded during the sessions. After all they were staunchly anti-pose in any sense of the word. A label spokesman stated, "We've put the singles on the LP because most people wanted it that way. As a result, Thomas asked guitarist Steve Jones to play bass so work could begin on the basic tracks. After Seale's arrest, Branson announced that he would cover the manager's legal costs and hired Queen's Counsel John Mortimer as defence. As McLaren's separate deal with Barclay meant that the French release could not be halted and given the Virgin head was aware of how easy it was for import records to arrive in Britain, Branson rushed production of Never Mind the Bollocks to ensure it would come out a week earlier than intended. Rumour has it that session guru, Chris Spedding, was also recruited to fill out the sound, though Steve Jones has to take a vast amount of credit for the creative process here. While McLaren pondered whether or not to sign the offer presented by Virgin Records , he signed a French deal for the group with Barclay Records in early May When the overseeing magistrate inquired about his line of questioning, Mortimer stated that a double standard was apparently at play, and that "bollocks" was only considered obscene when it appeared on the cover of a Sex Pistols album. Jamie Reid 's cover concept refrained from including a picture of the group and instead was dayglo red and yellow in colour with cutout lettering and a finish resembling crude screen-prints. Johnny Rotten explained its meaning as a working-class expression to "stop talking rubbish". The one thing that was entirely new was, of course, the singer. Among the rumours of who was behind the release of the tapes included Goodman, Glen Matlock and McLaren, who has always considered Goodman's versions to be a more accurate representation of the band. However, McLaren wanted to negotiate separate deals in every territory, regardless of what the contract stipulated, which angered Branson, as the clause for American distribution was an important one he had fought for. This work is licensed under a Creative Commons Licence. Ten thousand copies of Virgin's pressing erroneously only listed 11 tracks on the sleeve yet contained 12 on the actual record. His love of prime krautrock Neu!
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