Laloux builds a remarkably detailed world, full of wondrous sights and abnormal creatures, and touches upon subjects such as the relationship between man and nature and the riskiness of technological advancement. And as a trueborn child of that generation, it reaches its coda spreading the universal message of the coexistence of species. Animerama was a project of Mushi Productions, a short-lived production company established by the godfather of manga, Osamu Tezuka.
It was a multifaceted project that involved several studios and dozens of animators and designers. It led to a horrendous sequel, Heavy Metal , that should be avoided at all cost, while over the years, many household names such as David Fincher, Guillermo del Toro, Zack Snyder, Gore Verbinski, James Cameron and Robert Rodriguez were attached to the development of its remake that never moved forward. Aesthetically, the film is nothing sort of a work of art. Last year, one more great American filmmaker challenged himself with stop-motion animation. The Machine-Men versus Gandahar , was his last feature-length animated film. The film was even translated by sci-fi guru Isaac Asimov. Laloux builds a remarkably detailed world, full of wondrous sights and abnormal creatures, and touches upon subjects such as the relationship between man and nature and the riskiness of technological advancement. Anomalisa is another filmic puzzle to leap out of the mind of Charlie Kaufman; an honest portrait of an unhappy corporate man with a long-lost interest in people. Animerama was a project of Mushi Productions, a short-lived production company established by the godfather of manga, Osamu Tezuka. Despite its heavy symbolisms, political allegories, and sharp anti-fascist ideas, Laloux does well never to take the film too seriously and approaches his material with a playful attitude, adding sufficient doses of humor and absurdity. Unmistakably symbolic in its conceptualization, the film heavily recalls the staggering horrors of totalitarianism. During his career, late director Satoshi Kon had been cleverly playing with diverse cinematic genres, such as the dreamlike science fiction in Paprika and the Almodovar-esque dramedy in Tokyo Godfathers. Visually engaging and brilliantly performed, the film effectively elaborates on concepts of identity, resonantly commenting upon the modern Japanese consumer society and the deceitful brilliance of stardom. Science fiction was being transformed from a sophisticated sociological allegory to a cinematic genre of outrageously overblown fun, hard rock was entering a second decade of rowdy existence, and Heavy Metal was hitting the US theaters, redefining the adult-oriented animated film. It is hard however, not to perceive the analogies between his rabbit-inhabited meadow and our real human world. Since late 19th century, filmmakers have been experimenting with the technique that captures the movement of manipulated real-life objects. It's a timeless masterpiece of the science fiction genre not just in animation, but in film generally. After using rotoscoping, where scenes are shot in whole with actors on a set and then they are traced onto animation cels, extensively in his Lord of the Rings, he employs it once more here. It was recently restored in 4K by Cinelicious Pics and rereleased, in an ultimate attempt to get the reception it always deserved. The film centers on a group of rabbits and their hopeless endeavors to create a free community, away from the corruption of a corporate state. The final result is a wonderfully illustrated fable-- grim and emotionally charged, yet incredibly poetic-- that holds a special place in the history of animated films. The classic novel was faithfully adapted into an influential animated feature in by producer and director Martin Rosen. Quite ironically, one of the most truthful and humane films to come out recently is an animated one containing one of the most realistic and heartfelt sex scenes ever. Perfect Blue is an excellent exponent of the genre; a film that indicates the boldness of anime films and their willingness to step into bleak, and uncharted for standard animation, territories. Fire and Ice is a joyride of adult fantasy, the arguable animation equivalent of Conan the Barbarian, and at the same time one of the best-looking animated films ever made.
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