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Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success. Sandra Liu is a Ph. But Countervisions also resists simplistic readings of "mainstream" film representations of Asian Americans and enumerations of negative images.

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Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production. In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. Sandra Liu is a Ph. Emerging from the gay liberation movement of the s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. Essays on the Japanese American internment and historical memory, essays on films by women and queer artists, and the reflections of individual film makers discuss independent productions as subverting or opposing the conventions of commercial cinema. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. He is the author of Nervous Laughter: Essays of film criticism and interviews with film makers emphasize matters of cultural agency--that is, the practices through which Asian American actors, directors, and audience members have shaped their own cinematic images. He also discusses obscure guilty pleasures like Born a Man. But Countervisions also resists simplistic readings of "mainstream" film representations of Asian Americans and enumerations of negative images. One of the anthology's key contributions is to trace the evolution of Asian American independent film practice over thirty years. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success. This anthology focuses in particular on the growing presence of Asian Americans as makers of independent films and cross-over successes.

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  2. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success. One of the anthology's key contributions is to trace the evolution of Asian American independent film practice over thirty years.

  3. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence. Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production.

  4. In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man.

  5. Essays on the Japanese American internment and historical memory, essays on films by women and queer artists, and the reflections of individual film makers discuss independent productions as subverting or opposing the conventions of commercial cinema. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success.

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