The database covers a selected collection of peer-reviewed South African scholarly journals and forms an integral part of the SciELO Brazil project. There were also drag performers in cabarets, but that was very much the exception. It might not seem like a big deal to us now, but back then, pursuing same-sex relations could get you thrown in jail.
SciELO contributes to the development of national capacities in scientific editing and publishing to be on par with the international state of the art. Ethel Waters got her start on the vaudeville circuit. The fact that there were any was remarkable, given the times. At these popular Victorian touring shows, white actors in blackface played racist caricatures of African Americans as simple, lazy buffoons with insatiable appetites for food, alcohol, and sex. Ma Rainey, pictured in , and other blues divas of the era usually performed with a backing band. After the turn of the century, smokey blues cabarets proliferated in urban areas with large African American populations, which would draw almost exclusively black audiences, who made Ma Rainey and Bessie Smith stars. Alberta Hunter, far right, performs vaudeville. The interfaces include a bibliometric module that provides usage statistics based on article downloads and impact indicators based on citations. Postcard image via QueerMusicHeritage. The SciELO Open Access collections represent an important global public good, contributing to the advancement of national programs and priorities on scientific research and communication. They even lived together as lovers, a disreputable act at the time. Around the same time, urban industrialization, the development of the electrical grid, and the introduction of cars gave young women more personal money, free time, and options than they ever had before. There were also drag performers in cabarets, but that was very much the exception. The only one of these women to openly exploit her lesbian identity, she was known for taking popular songs and giving them lewd lyrics; and she asked the audience to help her improvise naughty lines. The database covers a selected collection of peer-reviewed South African scholarly journals and forms an integral part of the SciELO Brazil project. White sightseers from downtown would check out her show as well. For further information or to submit a journal for consideration, contact: But blues music also thrived far outside the scope of the dominant white American culture in the early 20th century. Ma Rainey, who was bisexual, got her stage name when she married vaudeville performer Pa Rainey. Queer Blues Divas of the s. Each collection has its own Web portal with multilingual interfaces in English, Portuguese and Spanish. The Cotton Club in Harlem, which only allowed white audience members to watch black performers, was a notable exception. This allows for the following up of the performance of the collections and the individual journals, and contributes to the enhancement of the evaluation of scientific production. Bentley was a regular performer here. It might not seem like a big deal to us now, but back then, pursuing same-sex relations could get you thrown in jail.
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